Out of the ashes

ISSN 2007-001X      28th January 2020

The danger is not over yet, but some areas have had a reprieve,  even some glorious rain!

This Blog contains excerpts from the Facebook pages and emails of Guild members affected by the bushfires. There are many reports on TV and in newspapers, but what follows are unedited reports from those involved.

Miriam Miller was forced to evacuate her home at Narrawilly again on 23rd January – Miriam says:

“Strange things help – Robert planted sunflowers as he always does around my house.  None of them came up this year because of the drought. So there was a bare dry piece of ground in the paddock in front of my garden bed with the roses, which was covered with thick wood chips. If this garden had gone so would my verandah and my house, so thank you drought. “

The view from Miriam’s kitchen window.

Editor:     Unfortunately, this news of more fires comes on the heels of the Good News from Carey-Ann at Robert Miller’s Narrawilly Farm ….

“The good news is that we and the team are safe and uninjured, and the old farmhouse and the dairy plant are intact. The milking herd was well protected although some of the animals in the dry herd are experiencing difficulties associated with drought, bushfire smoke, heat and environmental stress. They are being monitored and, where relevant, treated.”

……  Also from Carey-Ann

 a Timeline of a Fire – at Narrawilly  (photographs, taken by Robert and Carey-Ann), document our growing disquiet morphing into anxiety and then horror as fire arrived on New Year’s Eve and returned, four days later, on 4 January.)

Some of what was experienced by Rob and the team these past few weeks. Photographic evidence of damage done to the farm’s natural and physical infrastructure is also available here

Across the eastern seaboard of Australia, regional communities have been devastated by these out-of-control bushfires. Many people have lost a lot more than we have. Houses can be rebuilt but not everything lost is tangible or replaceable with a credit card. The psychological consequences, for thousands of regional Australians in dozens of regional towns and villages, will persist for years to come. We are very grateful for people’s best wishes, small acts of kindness, and donations — from homemade chocolate brownies through to generous cash donations, and our appreciation will only grow over time, when we have time to reflect on what has happened these past few weeks.

I would also like you to know this: during the course of 24 hours, stretching from mid-afternoon on 4 January 2020 to sunrise of 5 January 2020, Rob and a handful of locals (which included our dairy farming neighbours, the Andersons) worked with basic infrastructure to prevent the fire in the rainforest breaking out of the gully. They fought for hours on end to stop fire and embers from reaching houses on Stony Hill Lane (including Miriam’s timber house) and raging through to Milton village. As an eye witness to what they did that night, I can tell you that they battled that canopy fire alone. They did not have the luxury of evacuating to a safe location. They did not sleep that night or the next. There were no fire-fighters or fire-engines available to protect sleeping residents in Milton and surrounds. What Milton village residents still do not realise is that it was Rob and the Andersons (Brian, Janine, their sons, their nephew and brother-in-law), along with a neighbour’s son, who held that fire in check. If that rainforest fire had not been contained within the gully, nothing in Stony Hill Lane would remain today. Theirs was an act of extraordinary bravery and determination.”

Editor: We are now seeing “Open for Business” reports on TV from the affected areas asking people to return to these country areas so business and livelihoods can return to normal – How can that be when the danger has not passed?   I asked Carey-Ann what her thoughts were on this since there is still such a fire risk and communities are so devastated and she said  ……

“Local newspapers (e.g. see South Coast Register on Kangaroo Valley and Southern Highlands) are writing of the need for resilience (among the victims) and consumption (among the tourists). It is understandable, up to a point, that certain small businesses want tourists back now.

But where is the line between consumption-tourism as a form of support and providing a respectful amount of time for victims to mourn their dead, their losses and their way of life? And who gets to draw that line in the sand?

It should come as no surprise to anyone when bushfire-affected locals, whose houses and streets were incinerated or damaged, react angrily to cars of Instagram-ing strangers snapping photographs of their pain and despair. (We have heard of this happening in Conjola recently.) I wonder if those who promote unrestrained consumer capitalism in bushfire areas have thought of how to handle that potential for grief-related conflict? I wonder if it will entrench divides between Townies and country people? Somehow I suspect that it will be the locals who are told to be “resilient”, appreciative of the tourist dollar, and respectful. When does that become docility?”

Editor: Which brings up the subject of mental health in these areas – we’ve all heard of PTSD, but what about Continuous Traumatic Stress Disorder (CTSD), which is a sub-category of PTSD?

Carey-Ann said “I have spoken to Rob about CTSD among bushfire-affected dairy farming communities. I see signs of it among this particular community. Fortunately, some academics are already thinking and writing about eco-anxiety. I hope they will consider the link between CTSD and out of control bushfires which return again and again.”

Editor: Still in NEW SOUTH WALES – Conditions are similar at Mongarlowe in the Braidwood area; except they have had some rain!  With her permission, here’s some of the images shared on Facebook by Gail Nichols …..

Jan 03: When I think back to how bad we thought things were here in late November, we had no idea what we’d be facing by the New Year.  I keep clinging to a belief that this has to end someday. Surely it will rain again. 

Jan 4: For all my friends and family following my posts on our ongoing fire situation. It’s hard to believe things could get worse but today is forecast as yet another nightmare. If you want the details here is this morning’s ABC news story.  

With massive fires to the north and south of us, into Victoria and even across to Kangaroo Island it’s difficult to know where to start in telling about it this morning. So, I’ll begin with what’s local. We are ok. Apart from putting out a neighbour’s grass fire that ran to our fence, our property was untouched yesterday. That doesn’t mean we weren’t threatened. Fire in pine windrows on property to our west was throwing us flying bark etc. Late in the day the southerly wind change came in like a steam train, blasting that fire to the north toward Mongarlowe village. Today we will be catching up with neighbours and pitching in where we can help. So many other communities in the Braidwood area were impacted yesterday. We are still waiting for the rain that would put at end to this.

Here at home we are prepared to defend yet again, getting well practiced at this. At least we are now well surrounded by burnt out areas and lower fuel loads which should give us some protection. Hoping our locality is spared this time but fearing for what may happen overall.

Jan 08:  RFS crews are getting a lot of well deserved kudos. But note also the work being done by SES (State Emergency Service) volunteers. This crew of 8 from Queanbeyan turned up this morning, felled a number of fire damaged trees around our house, cut up and stacked the bits, all with smiles on their faces. Great work, can’t praise them enough

Jan 09: A couple of refired pots emerged from the ashes and cleaned up ok.

Jan 10: A young red necked wallaby eating pellets from one of my old soda glazed platters. He/she only just emerged from mum’s pouch before the fires started impacting here. What a welcome to the world. As for that singed pine trunk, I know some potter friends who would be jealous of those reds.

Jan 15: Painting with fire – Amongst the gems of the ‘firing’ are these pieces of sheet metal that had been draped over a pile of hardwood logs. It gives a whole new meaning to what I used to call ‘painting with fire’.

Jan 16:  Rain Rain Rain! What a glorious afternoon.

In the midst of all the black, a puddle of water. Will this weekend see these pots finally submerged? Watch this space.

Jan 18: 61mm of rain over the past 3 days and more coming! The puddle in the dam is growing. The Charleys Forest Fire, which was our immediate threat, is under control. Our brigade station is reverting to local use. My rug making gear has returned from its evacuation refuge and is back in the studio. New green grass is making itself visible. Time to start thinking about some normality.

Jan 19: When there’s little grass to be found,carrots, sweet potato and kibble pellets are pretty tasty, and when water is scarce a bowl of it makes a great swimming pool. The condition of local wildlife at our feeding stations has improved noticeably in the past couple weeks.         

Thanks again to the Native Animal Rescue Group for their support.

Jan 20: Nice to see some green happening again

Jan 24: Gail says: The summer is far from over, there are still fires about, and we need much more rain. I am currently having some time off from firefighting as my lungs need a break. But there is so much smoke and dust in the air that’s hard to manage anywhere around here. We just keep hoping for some good extended rain. At least there is green grass appearing so our landscape is not just that devastating black. That’s reassuring.

VICTORIA: There are no reports of damage from members there – fortunately all are safe and out of the fire zones.

SOUTH AUSTRALIA is another matter; Sue Gilmartin arrived in Perth on 10th January and gave firsthand information about her host’s property, in the Adelaide hills, safe but still under threat – however, while there she didn’t have to take refuge in the damp sprout fields which was their planned defense. Friends of her hosts weren’t so fortunate, one family lost everything!  Escaping only with their lives.

Friends on Kangaroo Island  were also affected,  with another family losing everything.

A report in the Adelaide newspaper tells of this King Island resident who made a miraculous escape.

Guild Members  in Strathalbyn – an area visited by many rug hookers (TIGHR 2012) are reported to be safe.

WESTERN AUSTRALIA has also been impacted by bushfires, to the north and south. After New Years Day Sue Gilmartin from the UK set off to cross the Nullarbor (Adelaide to Perth) on a 10 day camping trip with a small tour group – Sue said 3 days in, after having had the most amazing time sleeping in swags under the stars, the organizers were forced to abandon the trip and return to Adelaide, as the border between SA and WA was closed due to raging fires through the southern area of WA.

The only paved road linking the east and west coasts of Australia was closed for 12 days causing havoc with holiday travelers and freight line truckers. Across this area small towns are shown on maps but they’re virtually only petrol(gas) stations with a cafe and in some places very “basic” motel units – none of these “towns” were prepared with supplies (water or food) to support the hundreds of people trapped at each of them, even with supplies being flown in by small planes and helicopters.

West of the SA/WA border the road is widen in places to create a landing strip. It’s a little disconcerting as you’re driving along and you see the “aircraft landing” warning signs makes you wonder how much notice you’d get of an airplane attempting to land?

Highway airstrip in Western Australia – taken on one of our return road trips from Queensland.

Through that 12 day period police strenuously enforced the road closures due to a horrendous situation in 2007 when three truckers were burnt to death in a bushfire after a road closure was lifted prematurely.

They couldn’t say when the road would be opened, so Sue finally resorted to purchasing an airline ticket and spent a week with me in Perth. Her aim was to see as much textile work and visit as many textile groups and galleries as possible.  Unfortunately most of the Galleries were closed for the Christmas Holidays and most groups were on holiday break.  Sue did make it to a meeting of the Wanneroo Rugmakers

and while there visited the “Home” Exhibition on at the Wanneroo Gallery.

Baskets by Courtney Hill-Aaron Koolark Collection (6) Natural fibres, emu feathers, ochre pigment from Country to colour natural fibres.

Totems by Val Shaw.

The Wanneroo Rugmakers first wall hanging can be seen in the adjoining room.

This followed by a visit to Nalda Searles home – Sue and Nalda have mutual friends in Kalgoorlie – so a very pleasant afternoon was spent listening to Nalda tell stories about her work.

We took a boat cruise up the Swan River to the Sandalford Winery which involved wine tasting on the boat, a delicious lunch and more wine tasting at the winery – good job we took the train into town to catch the boat.

Another day was crammed full with a visit to the Goods Shed to view “The Alchemist” and on to Fremantle to visit the Spare Parts Puppet Theatre,  now the home of marionettes donated to the Theatre by Stella Edmundson of the Sunshine Coast Textile Art Group. The Kidogo Gallery was closed so instead we toured the Shipwreck Museum.

QUEENSLAND: This report started about bushfires and ends with reports of floods in Queensland and in CANBERRA, hail the size of golf balls!

Maggie Whyte, Guild Pres. said she was on her way back to Canberra from a trip to the coast when the storm hit, so fortunately missed that experience – an auto insurers nightmare. Images could be seen on TV of carparks full of cars with shattered windows and car bodies peppered with dents where they had been pummelled by the hail.

Through all this wild weather there have been moments of  creative inspiration, friends connecting with friends and help coming from unexpected places – so many people touched by the devastation and others wanting to help.

Now there’s a fine line to tread to support the businesses that are left in tact while respecting the privacy of bushfire victims.

Hopefully, my next post as your Guild Editor, will be less of a weather report, with more emphasis on the art and craft of rug making. 

You’re Invited

ISSN 2007-001X  May 2018

Red Leaves – 2018, 108x83cm new & recycled fabric hooked on hessian backing. Courtesy the Artist and Narek Galleries, Bermagui.

 

Consider yourself invited to the

Opening of Gail Nichol’s

exhibition of ceramics and textiles

at the Drill Hall Gallery ANU, Canberra.

The Official launch of

“In Transit” is Friday 8th June 2018 the Exhibition runs until 29th July, 2018.

This has been an exciting year for Gail, her tapestry “Temple Fish” will feature as a finalist in Rug Hooking Magazine’s “Celebrations 2018”.

Temple Fish, 2017, new & recycled fabric hooked on hessian backing 164 x 115cm artist Gail Nichols, NSW, Australia

Here is another interesting tapestry, notice the irregular shape and the  fringe. This tapestry was inspired by a study of banana leaves and landscape, during a visit by Gail to Bali in 2016.

Designed and hooked by Gail Nichols, NSW, Australia. Daun Pisang (A Balinese Landscape) 2017. 112 x 165 cm new and recycled fabric & wool on polyester backing.

Three Friends”,  is a new approach to drawing and textiles for Gail who is currently working in mixed media with machine stitch drawing.

Three Friends, Mixed Media, Artist – Gail Nichols, NSW, Australia

You can see more of Gail’s creations on Gail Nichols Textiles

Another Introduction from Braidwood

ISSN 2007-001X   17th August, 2017

Images from Gail’s Nichol’s studio were shown on a Guild Facebook post after a visit by members of the Narrawilly Proggy Ruggers. The post prompted a request for more information about Gail and her textile art.

Gail said “It’s funny how a local get-together of rugmakers and fibre artists in Braidwood, New South Wales, Australia, leads to a request for more information from the USA!”   Not everyone is comfortable with Technology especially Facebook, however it has one big advantage, it does bring like minded people together and it is making it possible for Australian rugmakers and fibre artists to learn about each other.

Gail graciously answered all my questions about her textile art.

Gail: “This photo, taken by my husband Dave Nelson, gives an idea of the scale of my works – this piece is 140 x 95cm (55.12″ x 37.4”)

“Bobs Creek Culvert” – 2015 – Recycled fabric hooked on hessian backing.

If a gallery called you, how would you describe your work?

“When dealing with galleries I describe my works as ‘hooked tapestries’. I find this communicates what they are more accurately than if I call them ‘rugs’. I faced a similar semantic issue during my previous 30 year career in ceramics. As far as galleries were concerned I made ‘ceramic art’ because that is their language, but amongst other clay workers we were usually happy to call our works ‘pots’.

My hooked tapestries are works of visual art intended to hang on the wall. The images are abstractions from landscape features I have observed where I live or where I have travelled. The tapestries are made from new and recycled fabric hooked on a hessian or synthetic rug backing.

This work was inspired by a collection of leaves, twigs and algae amongst logs in a local rainforest creek.”

“Leaf Jam at Currowan Creek” – 2016 – 96 x 134 cm (37.79″ x 52.75″) New and recycled fabric hooked on hessian backing.

What captures your imagination about a particular technique or approach to your work?

Rug hooking came to me surprisingly naturally (following some initial instruction), similar to the way clay spoke to me initially many years ago. When you find that connection as an artist you just have to go with it. I love the tactile, rhythmic nature of the process, working directly with colour, and the freedom to develop the design as I go. From the beginning I saw potential images all around me. This medium has made me see the world with new eyes.

Who – or what – influenced your early work? Has your later work been influenced by the same person/style/technique?

In 2014 I attended a workshop led by my friend and neighbour Maggie Hickey. Maggie had learned from Miriam Miller and the Narawilly Rugmakers at Milton NSW, and Maggie invited me to attend one of their gatherings with her. Miriam was very encouraging and I bought my first rug frame from her. Her book, Proggy and Hooky Rugs, was a practical source of information. Where I live at Mongarlowe NSW (near Braidwood NSW) we have a group of fibre artists who meet once a month to share their work and knowledge. They were very welcoming and supportive of my new textile work. So from the beginning I had some wonderful support networks, and those associations continue. Recently Maggie and I helped to host both groups in a get-together at Mongarlowe and Braidwood.

Another major influence during my early stage of rugmaking was an Arthur Boyd retrospective exhibition I attended at the National Gallery of Australia in Canberra. After viewing many rooms of impressive, often familiar paintings, I entered the final room and found myself surrounded by giant hanging woven tapestries which Boyd had commissioned to be made in Portugal from a number of his paintings. I was overwhelmed by their presence and vibrance. They brought the paintings to life! They taught me the potential of textiles for creating powerful visual images. If this could be achieved with woven tapestries, why not also with hooking?

Are you pleased with your artistic progress? What boundaries or limitations do you find are the hardest to push?
I’m pleased with my progress, although from experience as a professional artist I know I will always be looking for ways to improve. In the beginning it was a challenge to just produce a small floor mat with the hooking neatly accomplished on both front and back. As I progressed the rugs grew in size and the visual images became more complex. Eventually I had to admit that even in our house no one would walk on them on the floor, so they became wall hangings. This introduced a new perspective. There was the challenge of working at an intimate focus with the design, but knowing it needed to be appreciated as a full image from much further back. Whether I’m working on a stretcher frame or a lap frame, I regularly take breaks to review the progress from a distance. I’m currently pushing the boundaries of the rectangular format, introducing more freedom and movement to the hanging work.

Where do you see your work in 1 – 2 – 5 years? In other words, where do you see yourself going with your current approach and technique?

Well, I’m not stopping, that’s for sure! Having experienced similar rapid development in ceramics, I know it’s not possible to predict what I will be making in 2 to 5 years. I will continue experimenting with materials and techniques, pushing boundaries where possible, and developing ideas for images. I have been experimenting with other textile techniques such as free machine embroidery incorporating fabric, gummy silk and paper. I expect these techniques will somehow inform and combine with my rugging, but I’ll wait and see how that happens.

I recently was fortunate to win a prize in the Queanbeyan Palerang Regional Art Awards. The Professional Practice Award sponsored by Form Studio and Gallery in Queanbeyan entitles me to an exhibition in that gallery to the value of $2000. I expect that show will take place in 2018. I have also been working with other galleries, exploring opportunities after that. I have launched a Facebook page called Gail Nichols Textiles, to share my work. I look forward to seeing where this leads.

Editor’s note: September 2016 at the Guild Exhibition in Strathnairn, Canberra, I met Gail and saw her design “Reflections at the Water Temple” in progress. It’s now finished. This small image does not do it justice, – I hope you will click the link to Gail’s Nichols Textiles and view it and her amazing body of rug art.  Hopefully her schedule will allow her to enter “Re-imagined” the current rug art Challenge in Australia, open to all rug makers and textile/fibre artists in the Southern Hemisphere   –  Happy Hooking –   Jo  Franco