Unusual Times

ISSN 2207-100X  14th April 2020

This surely must have been THE most unusual Easter holiday period ever!

People confined to their homes but connecting with friends and family online in so many creative ways.

Easter church services given in empty churches but seen around the world!  TV images of parishioners in the USA, sitting in cars to attend services held at drive-in theatres.

Drive-by Easter egg drop-offs. The Easter Bunny designated as an essential worker in Western Australia and given permission to cross closed regional boundaries preventing travel to areas traditionally a big draw for holidaymakers on the Easter 4-day long weekend – normally a weekend of church services, visiting relatives, sporting activities and that last trip to the beach to soak up the Autumn sun.  Except this year in Perth, Saturday was the hottest day on record for this time of the year.

This year “backyard camping” was the big deal.  Friends who were looking forward to holidaying in their new travel trailer – moved it off the driveway onto the front lawn so their 10-year-old twins didn’t miss out on a camping weekend.

For those with children this period of isolation has had the benefit of time to spend together. In our area, apart from leaving home to shop for food and visit the Doctor/pharmacy, you are allowed, while maintaining social distancing, to exercise with one other person or members of your household. For those of us lucky enough to live by the beach the forced break in our busy schedules has been a positive – especially with the warm weather, making a daily swim really enjoyable.

However, most Nanas and Poppas are missing being with their grandchildren especially over the holidays and some who live alone and are not connected digitally, are desperate for company and contact with the outside world. This is where screen time, usually to be limited, has becomes so important. It seems all organizations are going digital – from local sewing groups to national museums and art galleries …… We’re stuck at home, but have never been so connected to the rest of the world.

So I’m sharing, images and information about, or from, Guild members, starting with ……

SOUTH AUSTRALIA:  These images were posted in a Facebook group by Yvonne Dalton and are shared here with her permission.

Yvonne said – These are the result of a forgotten pot of dye…. forgot I had put cloth into dye…….found pot and felt elated. Cleaning cloth may take some time. Third wash with small scrubbing brush to remove stuck vegetation. Lots of oxidation….cloth scrunched, not tied or bound.

NORTHERN TERRITORY  – Finke :  Shared by guild member Sue Ware

Ever wanted to learn to weave?? Our brand new tutorial is now live and we could not be more excited!!
While we’re all couped up at home, we thought it’d be the perfect time to share our knowledge and bring some joy into your lives. Our artists often speak about the power of weaving as a form of meditation, calming the mind and allowing stress to melt away.  Learn-to-Weave Kits available at
Huge thanks to the talented Mimi Catterns for creating this beautiful little video. We can’t help by smile every time we watch it!!   NPY Women’s Council

 

 NORTHERN TERRITORY:  The  Alice Springs Beanie Festival  like everything else, had to be cancelled this year but from their Facebook page we learn that the Beanie Festival organizers are planning an online competition in June… and need to know how many Beanieologists are willing to take part. Maximum 2 beanies, they can be for sale or not. The Festival organizers will share images online and have voting for people’s choice. They’re looking for enough entries to keep going so are saying – go ahead keep creating!!! pass on this message and keep an eye on their Facebook page for updates !!! As of 15th April the “Head Beanieologist” says

I’m not sure of the format yet just meeting with the techs. There will be a form to fill in for each beanie, they won’t need swingtags. 2 photos of each beanie anyway you feels best to show the workmanship of the beanie”.

Margaret Stuart a member of the Wanneroo Rugmakers in Western Australia has images of her felted beanie (in Easter Egg colours) ready to go.

 

 

 

 

 

Then there’s this from ArtWear Publications – (publisher of Embellish, Textile Fibre Forum, Yarn, Felt and Vintage Made)

Embellish magazine has a great themed postcard swap in each issue, with a $100 AUD prize up for offer.
The current postcard swap is themed “Layers” – you don’t need a Facebook page to enter this.  It’s a matter of using any technique or combination of techniques to create a textile postcard.  Postcard size approximately 4”x 6” (a quarter of A4 size page).  Click here to read full details about this “swap”.

Something fun to create while you are staying at home? Especially something for Mothers Day. Click this link for free patterns in the ArtWear Publications April 2020 Newsletter.

NEW SOUTH WALES – Epping; the group From Rags to Rugs Sydney Rug Hooking were disappointed when the Sydney Craft Fair was cancelled as they had a table booked to show their work and demonstrate.

Expertise Events intocraft newsletter shows it has been rescheduled, Oct 29-Nov 1  –  see more 

Still in New South Wales – Newcastle:  Feeling like you’d like to go somewhere?  take a virtual tour through the Newcastle Art Gallery.

VICTORIA – Melbourne: the National Gallery of Victoria can also be visited virtually – take a free Drop by drawing class with visual artist Lily Mae Martin – a how-to series on sketching.

VICTORIA (Australia):   Trish Johnson’s Australia Diary;-  Earlier this year Canadian textile artist Trish Johnson visited a meeting of the Yarra Valley Rugmakers.  Trish submitted a journal entry from her Australian trip to the Ontario Hooking Craft Guild and she and Maureen McIlwain, OHCG Multi Media Advisor, have given permission for it to be shared here in the Australian Rugmakers Guild blog.

Maureen, a Member of OHCG, ATHA, RHGNS and ​The International Guild of Handhooking Rugmakers    says – We’re happy to have our OHCG news travel around the hooking world!   OHCG’s 50th Anniversary in 2016   Ontario Hooking Craft Guild and Ontario Hooking Craft Guild/OHCG, on Facebook.

Trish (left in floral shirt) lunching with the Yarra Valley Rugmakers Group, Victoria, Australia.

See more about the Yarra Valley Rugmakers on their Blog and Facebook Group 

Washinton State, USA: Stuck at home Michele Johnson Wise shared this in Contemporary Rug Hooking Group – Busy trying my hand at punching wool strips and making face masks –ta-da! I was in a hurry so I will perfect my technique. Definitely will block out the virus..maybe even breathing behind the mask. I will try it out and let you know. Maybe I will do animal noses and mouths like the eyes of Judy Carter. I have been at my shelter maybe a little too long. Boing!  Aussie TIGHR members will remember Michele’s creative workshop from the weekend after the 2012 International Guild of Handhooking Rugcrafters, Triennial in South Australia.

CANADA – Newfoundland;  Winnie Galvine     RHGNL Certified Teaching Instructor offering another avenue to mental wellness through rug hooking – says; I had a large bag of white t shirts that friends and family donated for my rug hooking. I rarely use white. So I reached out to a nursing friend and offered to make scrub bags for her and her coworkers. So simple. Cut off the sleeves. Round out the neck and machine sew the bottom. 40 plus gone off today! Whats a scrub bag?  Winnie’s answer; the medical personnel have to change out of their uniforms before leaving their place of work. They can put their scrubs in this bag and throw the whole thing in the washer when they get home.

WESTERN AUSTRALIA  – Perth:  Speaking of “scrubs” –  some of my sewing friends in Perth really wanted to help the healthcare workers and they are sewing scrubs and caps and bags for them.  Volunteers join a private Facebook group and are given sewing patterns to create the items and instructions on where to deliver. The group is in need of more people with sewing skills – if you can help click this link  “Get Scrubbed

TextileArtist.org community stitch challenge;     TextileArtist.org – Arts & Humanities Website 

Why not try the FREE TextileArtist.org community stitch challenge?  For those guild members who don’t “do” Facebook you can still take part watch the video and just click the link above to read more about it.

WESTERN AUSTRALIA  – the team at  Vancouver Arts Centre, an active community arts centre and gallery and home to many local arts and craft groups, is staying in contact with the community in Albany through their newsletter advising the closure of the Vancouver Arts Centre due to the COVID-19 restrictions and posting links via Arts Hub of what to do while staying at home  – webinars – online courses – gallery tours.

Guild members Jo Franco from Western Australia and Judi Tompkins from the Sunshine Coast in Queensland, team members of the Global Textile Hub Team, have been recording deskside chats” online.

While Judi and Jo were figuring out the “mysteries” of recording their chats about the virtual exhibition “Re-imagined” a Collaboration with a Difference;  Kira Mead, the third member of the GTH Team, as part of her “paid” job at Radio Station Triple M, was interviewing business people and community members about how they were handling the COVID-19 situation.

From the Editor:  For all those feeling isolated during this time of stress, I hope some of these links will help you to feel connected.  Sharing my afternoon beach walk – solo exercise allowed 🙂  I hope you and yours are safe – keep hooking on the creative side.

 

Out of the ashes

ISSN 2007-001X      28th January 2020

The danger is not over yet, but some areas have had a reprieve,  even some glorious rain!

This Blog contains excerpts from the Facebook pages and emails of Guild members affected by the bushfires. There are many reports on TV and in newspapers, but what follows are unedited reports from those involved.

Miriam Miller was forced to evacuate her home at Narrawilly again on 23rd January – Miriam says:

“Strange things help – Robert planted sunflowers as he always does around my house.  None of them came up this year because of the drought. So there was a bare dry piece of ground in the paddock in front of my garden bed with the roses, which was covered with thick wood chips. If this garden had gone so would my verandah and my house, so thank you drought. “

The view from Miriam’s kitchen window.

Editor:     Unfortunately, this news of more fires comes on the heels of the Good News from Carey-Ann at Robert Miller’s Narrawilly Farm ….

“The good news is that we and the team are safe and uninjured, and the old farmhouse and the dairy plant are intact. The milking herd was well protected although some of the animals in the dry herd are experiencing difficulties associated with drought, bushfire smoke, heat and environmental stress. They are being monitored and, where relevant, treated.”

……  Also from Carey-Ann

 a Timeline of a Fire – at Narrawilly  (photographs, taken by Robert and Carey-Ann), document our growing disquiet morphing into anxiety and then horror as fire arrived on New Year’s Eve and returned, four days later, on 4 January.)

Some of what was experienced by Rob and the team these past few weeks. Photographic evidence of damage done to the farm’s natural and physical infrastructure is also available here

Across the eastern seaboard of Australia, regional communities have been devastated by these out-of-control bushfires. Many people have lost a lot more than we have. Houses can be rebuilt but not everything lost is tangible or replaceable with a credit card. The psychological consequences, for thousands of regional Australians in dozens of regional towns and villages, will persist for years to come. We are very grateful for people’s best wishes, small acts of kindness, and donations — from homemade chocolate brownies through to generous cash donations, and our appreciation will only grow over time, when we have time to reflect on what has happened these past few weeks.

I would also like you to know this: during the course of 24 hours, stretching from mid-afternoon on 4 January 2020 to sunrise of 5 January 2020, Rob and a handful of locals (which included our dairy farming neighbours, the Andersons) worked with basic infrastructure to prevent the fire in the rainforest breaking out of the gully. They fought for hours on end to stop fire and embers from reaching houses on Stony Hill Lane (including Miriam’s timber house) and raging through to Milton village. As an eye witness to what they did that night, I can tell you that they battled that canopy fire alone. They did not have the luxury of evacuating to a safe location. They did not sleep that night or the next. There were no fire-fighters or fire-engines available to protect sleeping residents in Milton and surrounds. What Milton village residents still do not realise is that it was Rob and the Andersons (Brian, Janine, their sons, their nephew and brother-in-law), along with a neighbour’s son, who held that fire in check. If that rainforest fire had not been contained within the gully, nothing in Stony Hill Lane would remain today. Theirs was an act of extraordinary bravery and determination.”

Editor: We are now seeing “Open for Business” reports on TV from the affected areas asking people to return to these country areas so business and livelihoods can return to normal – How can that be when the danger has not passed?   I asked Carey-Ann what her thoughts were on this since there is still such a fire risk and communities are so devastated and she said  ……

“Local newspapers (e.g. see South Coast Register on Kangaroo Valley and Southern Highlands) are writing of the need for resilience (among the victims) and consumption (among the tourists). It is understandable, up to a point, that certain small businesses want tourists back now.

But where is the line between consumption-tourism as a form of support and providing a respectful amount of time for victims to mourn their dead, their losses and their way of life? And who gets to draw that line in the sand?

It should come as no surprise to anyone when bushfire-affected locals, whose houses and streets were incinerated or damaged, react angrily to cars of Instagram-ing strangers snapping photographs of their pain and despair. (We have heard of this happening in Conjola recently.) I wonder if those who promote unrestrained consumer capitalism in bushfire areas have thought of how to handle that potential for grief-related conflict? I wonder if it will entrench divides between Townies and country people? Somehow I suspect that it will be the locals who are told to be “resilient”, appreciative of the tourist dollar, and respectful. When does that become docility?”

Editor: Which brings up the subject of mental health in these areas – we’ve all heard of PTSD, but what about Continuous Traumatic Stress Disorder (CTSD), which is a sub-category of PTSD?

Carey-Ann said “I have spoken to Rob about CTSD among bushfire-affected dairy farming communities. I see signs of it among this particular community. Fortunately, some academics are already thinking and writing about eco-anxiety. I hope they will consider the link between CTSD and out of control bushfires which return again and again.”

Editor: Still in NEW SOUTH WALES – Conditions are similar at Mongarlowe in the Braidwood area; except they have had some rain!  With her permission, here’s some of the images shared on Facebook by Gail Nichols …..

Jan 03: When I think back to how bad we thought things were here in late November, we had no idea what we’d be facing by the New Year.  I keep clinging to a belief that this has to end someday. Surely it will rain again. 

Jan 4: For all my friends and family following my posts on our ongoing fire situation. It’s hard to believe things could get worse but today is forecast as yet another nightmare. If you want the details here is this morning’s ABC news story.  

With massive fires to the north and south of us, into Victoria and even across to Kangaroo Island it’s difficult to know where to start in telling about it this morning. So, I’ll begin with what’s local. We are ok. Apart from putting out a neighbour’s grass fire that ran to our fence, our property was untouched yesterday. That doesn’t mean we weren’t threatened. Fire in pine windrows on property to our west was throwing us flying bark etc. Late in the day the southerly wind change came in like a steam train, blasting that fire to the north toward Mongarlowe village. Today we will be catching up with neighbours and pitching in where we can help. So many other communities in the Braidwood area were impacted yesterday. We are still waiting for the rain that would put at end to this.

Here at home we are prepared to defend yet again, getting well practiced at this. At least we are now well surrounded by burnt out areas and lower fuel loads which should give us some protection. Hoping our locality is spared this time but fearing for what may happen overall.

Jan 08:  RFS crews are getting a lot of well deserved kudos. But note also the work being done by SES (State Emergency Service) volunteers. This crew of 8 from Queanbeyan turned up this morning, felled a number of fire damaged trees around our house, cut up and stacked the bits, all with smiles on their faces. Great work, can’t praise them enough

Jan 09: A couple of refired pots emerged from the ashes and cleaned up ok.

Jan 10: A young red necked wallaby eating pellets from one of my old soda glazed platters. He/she only just emerged from mum’s pouch before the fires started impacting here. What a welcome to the world. As for that singed pine trunk, I know some potter friends who would be jealous of those reds.

Jan 15: Painting with fire – Amongst the gems of the ‘firing’ are these pieces of sheet metal that had been draped over a pile of hardwood logs. It gives a whole new meaning to what I used to call ‘painting with fire’.

Jan 16:  Rain Rain Rain! What a glorious afternoon.

In the midst of all the black, a puddle of water. Will this weekend see these pots finally submerged? Watch this space.

Jan 18: 61mm of rain over the past 3 days and more coming! The puddle in the dam is growing. The Charleys Forest Fire, which was our immediate threat, is under control. Our brigade station is reverting to local use. My rug making gear has returned from its evacuation refuge and is back in the studio. New green grass is making itself visible. Time to start thinking about some normality.

Jan 19: When there’s little grass to be found,carrots, sweet potato and kibble pellets are pretty tasty, and when water is scarce a bowl of it makes a great swimming pool. The condition of local wildlife at our feeding stations has improved noticeably in the past couple weeks.         

Thanks again to the Native Animal Rescue Group for their support.

Jan 20: Nice to see some green happening again

Jan 24: Gail says: The summer is far from over, there are still fires about, and we need much more rain. I am currently having some time off from firefighting as my lungs need a break. But there is so much smoke and dust in the air that’s hard to manage anywhere around here. We just keep hoping for some good extended rain. At least there is green grass appearing so our landscape is not just that devastating black. That’s reassuring.

VICTORIA: There are no reports of damage from members there – fortunately all are safe and out of the fire zones.

SOUTH AUSTRALIA is another matter; Sue Gilmartin arrived in Perth on 10th January and gave firsthand information about her host’s property, in the Adelaide hills, safe but still under threat – however, while there she didn’t have to take refuge in the damp sprout fields which was their planned defense. Friends of her hosts weren’t so fortunate, one family lost everything!  Escaping only with their lives.

Friends on Kangaroo Island  were also affected,  with another family losing everything.

A report in the Adelaide newspaper tells of this King Island resident who made a miraculous escape.

Guild Members  in Strathalbyn – an area visited by many rug hookers (TIGHR 2012) are reported to be safe.

WESTERN AUSTRALIA has also been impacted by bushfires, to the north and south. After New Years Day Sue Gilmartin from the UK set off to cross the Nullarbor (Adelaide to Perth) on a 10 day camping trip with a small tour group – Sue said 3 days in, after having had the most amazing time sleeping in swags under the stars, the organizers were forced to abandon the trip and return to Adelaide, as the border between SA and WA was closed due to raging fires through the southern area of WA.

The only paved road linking the east and west coasts of Australia was closed for 12 days causing havoc with holiday travelers and freight line truckers. Across this area small towns are shown on maps but they’re virtually only petrol(gas) stations with a cafe and in some places very “basic” motel units – none of these “towns” were prepared with supplies (water or food) to support the hundreds of people trapped at each of them, even with supplies being flown in by small planes and helicopters.

West of the SA/WA border the road is widen in places to create a landing strip. It’s a little disconcerting as you’re driving along and you see the “aircraft landing” warning signs makes you wonder how much notice you’d get of an airplane attempting to land?

Highway airstrip in Western Australia – taken on one of our return road trips from Queensland.

Through that 12 day period police strenuously enforced the road closures due to a horrendous situation in 2007 when three truckers were burnt to death in a bushfire after a road closure was lifted prematurely.

They couldn’t say when the road would be opened, so Sue finally resorted to purchasing an airline ticket and spent a week with me in Perth. Her aim was to see as much textile work and visit as many textile groups and galleries as possible.  Unfortunately most of the Galleries were closed for the Christmas Holidays and most groups were on holiday break.  Sue did make it to a meeting of the Wanneroo Rugmakers

and while there visited the “Home” Exhibition on at the Wanneroo Gallery.

Baskets by Courtney Hill-Aaron Koolark Collection (6) Natural fibres, emu feathers, ochre pigment from Country to colour natural fibres.

Totems by Val Shaw.

The Wanneroo Rugmakers first wall hanging can be seen in the adjoining room.

This followed by a visit to Nalda Searles home – Sue and Nalda have mutual friends in Kalgoorlie – so a very pleasant afternoon was spent listening to Nalda tell stories about her work.

We took a boat cruise up the Swan River to the Sandalford Winery which involved wine tasting on the boat, a delicious lunch and more wine tasting at the winery – good job we took the train into town to catch the boat.

Another day was crammed full with a visit to the Goods Shed to view “The Alchemist” and on to Fremantle to visit the Spare Parts Puppet Theatre,  now the home of marionettes donated to the Theatre by Stella Edmundson of the Sunshine Coast Textile Art Group. The Kidogo Gallery was closed so instead we toured the Shipwreck Museum.

QUEENSLAND: This report started about bushfires and ends with reports of floods in Queensland and in CANBERRA, hail the size of golf balls!

Maggie Whyte, Guild Pres. said she was on her way back to Canberra from a trip to the coast when the storm hit, so fortunately missed that experience – an auto insurers nightmare. Images could be seen on TV of carparks full of cars with shattered windows and car bodies peppered with dents where they had been pummelled by the hail.

Through all this wild weather there have been moments of  creative inspiration, friends connecting with friends and help coming from unexpected places – so many people touched by the devastation and others wanting to help.

Now there’s a fine line to tread to support the businesses that are left in tact while respecting the privacy of bushfire victims.

Hopefully, my next post as your Guild Editor, will be less of a weather report, with more emphasis on the art and craft of rug making. 

An Online Interview with Gail Nichols

ISSN 2007-001X   –  August, 2019

“Tipsy Tango” new and recycled fabric hooked on primitive linen, 160 x 100 cm by Gail Nichols, NSW, Australia

       Following her exhibition, ‘Viewpoint‘, at Suki and Hugh Gallery, 38A Gibralter St. Bungendore, New South Wales, Gail Nichols made an appearance at Rug Hooking Week in Sauder Village, Ohio, USA – a virtual appearance that is, in the Global Rug Hub video, a world-wide gathering of rug hookers, textile artists and media representatives.

Kira Mead, interviewed Gail when producing the Global Rug Hub video, shown during a virtual hook-in, a new experience for many rug makers.  They were surprised to find they could sign-in from wherever they were at the time;  a gas-lit stone cottage by a windswept tarn on the edge of the Lake District National Park in Cumbria north of England,  from high in the hills of Scotland or the Australian desert west of Alice Springs.

 

 

 

 

 

 

 

Members of the Global Textile Hub, Kira Mead, Jo Franco and Judi Tompkins, were represented in the USA at Sauder Village, Ohio, by their associate Susan Feller, Art Wools, West Virginia. Susan and participants of Rug Hooking Week watched on a large screen TV as viewers from around the world were connected via a video meeting link, operated by Kira Mead in Australia.

Susan Feller, ArtWools, West Virginia, USA & Liz Marino, McGown Guild, webmaster.

Many of the rug hookers in the audience at Sauder Village are well-known to Australian Guild members. As are those interviewed for the Global Rug Hub  video or who had sent in voice/video clips and images of work from their groups.

In the case of one rug hooker from Norway,  Håkon Grøn Hensvold, information was taken (with permission) from Tamara Pavich’s book  “Rug Hooking Journeys – Finding the Maker in the Rug

Håkon Grøn Hensvold. Norway

So much information was gathered  from around the Globe, for this event, it was just not possible to use it all – however, it will be used in future Blog posts.

Unfortunately, some of those registered were unable to make a connection. While it was indicated you could register and sign-in, not only via a lap-top and PC but also on a digital device – i.e. iPad, iPhone or Android – it wasn’t clear that if using a digital device you had to first download the ZOOM app.

Next time this wont be a problem  ……..  and there will be a next time as the inaugural interactive event was well received and more were requested.

The live session was recorded, so if you missed it you can see both the Global Rug Hub video and the discussion that followed on Kira Mead’s YouTube channel – you’ll also see videos Kira has made about other Guild members and events. When you visit Kira’s YouTube channel look for  “SUBSCRIBE”.  By subscribing to Kira’s YouTube channel  you’ll be advised by email when she produces new videos.

 

 

 

IT’S IN THE BAG

ISSN 2007-001X August 2018

Textile Tessera, a collaborative hooked installation by Judi Tompkins, Peta Korb and myself, is packed in the suitcase ready to take and show at the Opening, at Sauder Village, Ohio, USA, of  “Re-imagined” a Challenge with a Difference .

In this  video produced by Kira Mead, Judi talks about how the challenge came to be.

This time next week I will be in Ohio setting up the installation and displays. As the online Exhibition will be viewed on a big screen, this collaborative installation was created so visitors could actually handle pieces made with different rug making techniques, fabrics and embellishments.

The “Re-imagined” exhibit, will include hands-on-demonstrations of various techniques. Images of works by Guild members and information about the Guild and its members will be on display.

Above is just one of 12 pages of different rugmaking techniques – click here to see them all.

The online “Re-imagined” Exhibition convened by Judi and me resulted from our Challenge to all textile artist in the Southern Hemisphere in order to promote the use of various rug making techniques in other disciplines and to encourage those already pulling and pushing fabrics through an open weave to create a hooked surface, to use embellishments and work outside their comfort zone.

While some of the Australian Rugmakers Guild members follow the North American traditions of rugmaking and use wool fabric strips or wool yarn – there is an increasing interest in the use of recycled fabric. The recycling aspect of the craft resonates with those who are following the “War on Waste” and who have become interested in the return to traditional “slow” crafts.
Generally speaking, rug making is not held in high esteem by other textile artists. Our aim was to show the craft of rug making can be effective in social, environmental and artistic pursuits.

We hope you enjoy this video of our collaborative entry and we look forward to showing you through our Gallery Exhibition.

Jo Franco and Judi Tompkins

Seasons Greetings from the Australian Rugmakers Guild

ISSN 2007-001X  December 2017

Greetings to you all

I’m sending you my best wishes for a happy and healthy Festive Season.
It is a time to share with family and friends, but hopefully you will be able to find a little time for some creative moments which you can share with all of us through this blog.
Happy rugmaking!
Judith Stephens, SA, President
&
Member of StrathMatters

Best Wishes also from the ARG Committee & State Representatives

Maggie Whyte, ACT, Vice President & Secretary, member Narrawilly Proggy Rugmakers

Maggie modelling in the Annual Fashion Parade at Miriam Miller’s Rug Room, Narrawilly, Milton, NSW

Tricia Thacker, WA, Treasurer, member of the Wanneroo Rugmakers

Judi Tompkins, QLD, Communications Chair & Webmaster. Member of the Sunshine Coast RugCrafters and Co-convener of “Re-imagined” a Challenge with a Difference.

Miriam Miller, NSW, President Emeritus, Member of the Narrawilly Proggy Rugmakers

Anne Schafer & Christine Noorbergen, VIC, members of the Yarra Valley Rugmakers

Joanne Wild, TAS, member of the Happy Hookers

Best Wishes for a Happy, Healthy and Creative New Year

Jo Franco, WA, Editor & Membership Chair Member of the Wanneroo Rugmakers and Co-convener of Re-imagined a Challenge with a Difference.

 

Call for Entries

ISSN 2207-001X 10th August, 2017

Judi Tompkins and Jo Franco, are coming together from Queensland and Western Australia to issue a rughooking
challenge with a difference – “Re-imagined”
Entries will close 31st Dec 2017 – for the 2018 event.
The Challenge is open to ALL rug makers ANYWHERE in the Southern Hemisphere – Australia/New Zealand, Pacific Islands and beyond.

Besides there being No Entry Fee, as this is a prototype event, this Challenge is different because entries are for a Virtual Exhibition.
Digital images of artwork will be assembled in a virtual catalogue and a certain number will be selected by an impartial panel to be shown in a Virtual Exhibition promoted in the online Textile & Fibre media.

Submitting artwork digitally there’s no expensive postage, so your creativity wont be limited to working on something small.
However, your creativity will definitely be Challenged as there are some seemingly strange requirements with regard to Embellishments which are the ONLY requirements of the Challenge but wait, ……. there’s a certain latitude …..
ALL the groups of Embellishments MUST be represented, however you can use the “minimum” – think cooking show and the use of “a little or a lot”.

There isn’t a “Theme”, although there is a group of Categories for you to choose from – or not!   If you don’t like the categories shown you have the option of ticking [  ] Other – and creating your own.
What we are attempting to do is have an Exhibition of textile art which includes rug hooking techniques – not just a display of rugs.

We hope you will take up the Challenge and join us in this adventure with a traditional craft in cyber-space.

Jo & Judi

You can download the Call For Entries and Entry Form  here  or see below:-

“Re-imagined”

A challenge with a Difference

Australian rugmakers, Jo Franco, WA and Judi Tompkins, QLD are issuing a Challenge, open to ALL rug makers in Australia/New Zealand, Pacific Islands and anywhere in the Southern Hemisphere (no Guild membership required)
Selected Entries will form the basis of a Virtual Exhibition.

The Brief :
Create an art work (2D or 3D) using any of the listed rugmaking techniques with the addition of specific non-rugmaking items.

Conditions of Entry

  1. One Entry per person
  2. Collaboration works will receive recognition as one entry
  3. No entry fee required
  4. Artist Bio (max 150 words) to be submitted with entry form.
  5. Download entry form and submit via email to rugcraftingaustralia@gmail.com
  6. Closing date for entry forms 31st December 2017 (Note: entry form is not an online template, it must be downloaded, completed, scanned & emailed.)

The Work :  2D or 3D
Size : Work of any size will be accepted. Work must be original in concept and design and created solely for this Challenge.

Techniques: The work must contain, any one, or combination of, the following:-

  • traditional rug hooking,
  • locker hooking,
  • punch needle hooking,
  • tufting,
  • latch hooking,
  • proggy(proddy),
  • braiding,
  • chunky rugmaking,
  • toothbrush rug making
  • standing wool rugs.

Embellishments: All items must be represented as listed

  • Beads, one or more
  • Buttons, one or more
  • Recycled items; any amount of either;  plastic, metal or paper (only one type of recycled item is required, all can be used if desired)
  • Natural items; at least one of ANY of the following items, stones, sticks, shells, leaves – all items can be used in whatever quantity desired.
  • Textiles; any yarn & fabric strips – silk, wool, novelty, cotton – no requirement of type or amount.

Categories:  You may choose to nominate your work in one of the following categories or tick [   ] Other and describe.

  • Humour/Whimsy
  • Nature/Natural World
  • Steampunk
  • Fantasy/Magic
  • Nautical/Marine
  • Other – please describe

Submission of Work: To include –

  1. One overall digital image and one detail digital image of your artwork.
  2. Digital images must be saved as a high quality .JPEG file – resolution/min 180 dpi (No TIFF files).
  3. Digital Image – Maximum Size: equivalent to tablet sizing 2048 x 1536 =13 x 18cm to be emailed as an attached .jpeg file to rugcraftingaustralia@gmail.com
  4. A list of your chosen embellishments used in your entry.
  5. Title/Name of work
  6. Artist Statement (maximum 50 words, a description of your work and/or what inspired you)
  7. Closing date for Submission of Work (your digital images) 30th April 2018

Work in Progress & Social Media:

  1. Blogging, Facebook, Instagram; discussions & messages, no photos of entrants’ work in progress or completed, to be shown prior to the Opening of the digital Exhibition. It’s important we build up the anticipation prior to the digital “unveiling”.
  2. Publication of work prior to publishing of the selection for the Virtual Exhibition will disqualify an entry.
  3. Networking – a closed Facebook group (private/participants only) will be set up to enable participants to interact prior to the submission of work.
  4. Images and discussion about techniques and embellishments can be shown in the closed (private) Facebook group.
  5. Guidelines and Q & A page will be posted on the Facebook Group page
  6. Guidelines and Q & A page will also be posted on www.rugcraftingaustralia.com.au for participants who don’t have/want a Facebook presence.

Timeline:
31st December, 2017 Close of Call for Entries
30th April, 2018          Closing date for submission of Work (Digital images)
30th June 2018            Notification of selected entries
15th August, 2018       Publication – Online Exhibition.

Terms & Conditions: By submitting an entry form for possible inclusion in this exhibit I agree to permit images of my work, and/or all or part of my statement of my entry to be used in articles, ads, promotions,catalogues, books, websites (including any webcast coverage), CDs, current event news coverage, television productions, and/or multi-media productions.

Copyright: All images contained in this site are under automatic copyright to the artists. Apart from fair dealing for the purposes of private study, research or review, as permitted under the Copyright Act, no part of any image can be reproduced by any process without written permission of the artist.

 

 

Defeating the Tyranny of Distance

ISSN 2207-001X

Teaching rug hooking from afar!

A rughooking instructor in Australia, a student in Holland – how does that work?

By using a Skype connection on computers.

The current Guild members’ newsletter contains an article by Judi Tompkins, Communications Chair, who was contacted via her personal blog by a woman in Holland with “how- to” questions about rugmaking. 

After a few emails back and forth, it didn’t take long for a friendship to bloom.   Thea, in Holland, a potter with a good eye for colour and design, was enthusiastic about her new-found craft. Finding it cumbersome to explain about tools and stitches in emails, Judi suggested they “hook up” through Skype.

Thea worked first on an embroidery hoop and then ………. after seeing the different frames Judi was using, and with the help of Miriam Miller’s book, included in an exchange package sent by Judi (no fees were involved for these online workshops, however a friendly barter took place)  Thea‘s husband built her a frame.

 

 

 

 

 

Thea began to hook up a storm and has made pillow covers and floor rugs with the new floor frame – here are a couple of examples.

Judi and I have frequent Skype conversations in order to keep this website up and running, during which, we have impromptu rughooking Show-n-Tell to discuss our current projects.

In Milton, New South Wales, on rug days, members of the Narrawilly Proggy Ruggers often talk on Skype to rughooking friends in the USA and Canada who have visited their group or who they have met while attending Triennial TIGHR Conferences.  The International Guild of Handhooking Rugmakers is hosted by a different country for a three year term, culminating in a Conference to handover the reigns to the incoming Board of the next Host Country . Strathalbyn, South Australia was the Conference location in 2012, with a good turn-out from overseas rugmakers.

Judi and I would like to encourage Guild members, especially those isolated solo rugmakers to  give these “virtual rughooking sessions” a try.  If you have a laptop or computer, Judi has volunteered to help you set up a Skype connection – her email is judi.tompkins@bigpond.com   so,

Take advantage of what your Guild membership has to offer,

Happy Rugmaking from

Jo Franco, Editor/Membership Chair     and

Judi Tompkins, Communications Chair

Guild member receives Australia Day Award

ISSN 2207-001X

DAWN HOLLINS has been named  BEGA VALLEY’S SENIOR CITIZEN of the YEAR

Photograph provided by Bega Valley Shire Council

While following the Bermagui Surf Life Saving project we’ve read much about Dawn’s “abundant enthusiasm” and dedication to making a difference in the community.

An article in the Bega District News – “A Lifetime of Service Spanning the Globe” gives an instight into Dawn’s early family life and her involvement with orphaned and abandoned children throughout Asia, increasing her own family of 3 to 6 with adoptions from Thailand, Sri Lanka and South Korea and her work with the Adoptive Parents Association.

How, after moving to the Bega area 20 years ago, this background as an organizer saw her become an active member of the Rural Women’s Network and a key member of the Bega Valley team hosting the 2005 Rural Women’s Gathering.

As reported in the Bega District News article, Dawn’s passion for learning and teaching led her to the Bermagui and District Branch of the University of the Third Age – a group that looks to create and foster educational opportunities for people in retirement. In this group Dawn helped broaden the variety of courses to 80 subjects available through local presenters.

One very active Bermagui and District U3A group, the rug hookers created seven amazing rug panels now hanging in the Bermagui Surf Club.

Dawn Hollins and Bermagui & District U3A Rug Hookers with Bruce McAslan President, Bermagui Surf Club.  Photographer Ben Smyth Bega District News

After the hanging and dedication of the hooked panels on the 15th December, 2016, we decided to create a Guild Video of this impressive project.

On learning Dawn was to receive the Australia Day award, it was decided to wait until 26th January, Australia Day, to publish the video – to honour Dawn’s leadership on the day of the award.

Bermagui & Districts U3A Rughooking Group members describe Dawn as a shining example of the ideal that one person can make a difference.

Congratulations Dawn

from the members of the Australian Rugmakers Guild